Tag Archives: sacred harp

Printings of J. S. James’s Original Sacred Harp

There were four early printings of Original Sacred Harp between the book’s initial publication in 1911 and 1929.1 Each features a similar cover. Of the differences among the books’ covers, the most prominent is the color of the ink, paper … Continue reading

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“Race, Place, and Tunebook Revision”: Presenting on My Research as a Berea College Sound Archives Fellow

On Thursday I gave a talk at Berea College’s Appalachian Sound Archives about the research I’ve conducted as a Sound Archives Fellow. My talk, “Race, Place, and Tunebook Revision: Researching Sacred Harp’s Twentieth Century Transformations as a Berea Appalachian Sounds Archives Fellow,” … Continue reading

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Presenting on the Sacred Harp Museum at the Association for Recorded Sound Collections

Last Friday Nathan Rees and I presented on the Sacred Harp Museum’s new digitization and presentation efforts at the Association for Recorded Sound Collections conference in Chapel Hill, North Carolina. The Sacred Harp Publishing Company board’s museum committee, established in 2011, is drawing … Continue reading

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Sixth Issue of the Sacred Harp Publishing Company Newsletter

The Sacred Harp Publishing Company recently published the latest issue of the Newsletter. The issue includes my and company executive secretary Karen Rollins’s tributes to 2014 posthumous citation award recipients Jeff and Shelbie Sheppard. I also contributed a short introduction to a … Continue reading

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Why Do We Sing Sacred Harp?

On Saturday March 15 I moderated a panel discussion in Columbiana, Alabama, on Sacred Harp music. The event was part of a daylong program called “We’ll All Sing Hallelujah” celebrating the opening of Sacred Sounds of Alabama, a new traveling … Continue reading

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Racial Imaginaries and Folklorization at the Society for American Music

I spent an exhilarating and productive four days this past weekend at the annual meeting of the Society for American Music (SAM) in Lancaster, Pennsylvania. I presented a paper at the conference titled “Shifting Racial Imaginaries in the Folklorization of Black Sacred … Continue reading

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Sacred Harp Singing at the Music Library Association’s Annual Meeting

This past Thursday I participated in an enjoyable opening plenary session at the Music Library Association‘s 2014 annual meeting, held in Atlanta’s Buckhead neighborhood. Joyce Clinkscales, Emory’s music librarian, organized and chaired our session. After Joyce’s introduction Nathan Rees and I … Continue reading

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The Page 37 Test: Identifying Basic Editions of The Sacred Harp

In my presentation on the publication history of The Sacred Harp at the opening plenary session of the Music Library Association’s annual meeting this past Friday, I concluded with some guidance on how to identify and distinguish among editions of the tunebook. The … Continue reading

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Stitched Together: S. M. Denson’s Alto Part for “The Last Words of Copernicus”

“Perhaps the most instantly recognizable musical feature of” Sarah Lancaster’s song “The Last Words of Copernicus” (p. 112 in The Sacred Harp) “was not in [the composer’s] original three-part setting,” I wrote in the winter 2013–2014 issue of the Country Dance and Song Society News. … Continue reading

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The Georgia Roots Music Festival and the “Georgia Harmonies” Traveling Exhibition

In June 2012 I wrote for the Southern Spaces Blog about the opening of “Georgia Harmonies,” a two year traveling exhibition organized by the Smithsonian Institution’s Museum on Main Street program in collaboration with the Georgia Humanities Council. In the blog … Continue reading

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